alternativni oblici obrazovanja
alternativni životni stilovi i otpor u svakodnevnici
avangarda, neoavangarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
etnički pokreti
feministički pokret
film filozofski/teoretski pokreti glazba
iseljeništvo/egzil
kazalište i izvedbene umjetnosti
književnost i književna kritika kritička znanost
lijepe umjetnosti
manjinski pokreti
mirovni pokreti nacionalni pokreti narodna kultura
nezavisno novinarstvo
omladinska kultura partijski disidenti
pokreti za ljudska prava
popularna kultura
preživjele žrtve progona autoritarnih/totalitarnih režima
prizivatelji savjesti
samizdat i tamizdat
studentski pokreti umjetnosti novih medija underground kultura
vizualne umjetnosti
vjerski aktivizam zaštita okoliša
znanstvena kritika
crteži i karikature
film
fotografije
glasovne snimke
glazbene snimke
grafike memorabilije
namještaj
odjeća ostala umjetnička djela
ostalo
pravna i/ili financijska dokumentacija predmeti primijenjene umjetnosti publikacije rukopisi
rukotvorine siva literatura
skulpture
slike tehnička oprema video snimke
Lazar Stojanović (1944-2017), film director, journalist and intellectual, was one of the most famous cultural dissidents of socialist Yugoslavia. His film “Plastic Jesus” (1971) was declared as anti-communist and anti-state propaganda and led to Stojanović’s three year imprisonment. The collection represents Stojanović’s personal compilation gathered over the previous decades and consists of books, newspapers, posters, catalogues and video materials/films.
Ljubomir Tadić was a professor of philosophy, academic, and politically active intellectual over many decades. During the socialist period in Yugoslavia he was a prominent opposition figure and critically minded intellectual who struggled against the Yugoslav system. Ljubomir Tadić’s collection is located in the Archives of Yugoslavia in Belgrade.
The collection is illustrative for the documentation work that lay behind the broadcasting activities of two prominent members of the Romanian exile community in Paris who worked with Radio Free Europe (RFE), Monica Lovinescu and Virgil Ierunca. Their programmes focused mainly on presenting the cases of dissidents in the then Soviet Bloc. The need to understand the dissidence phenomenon and the main ideas behind its criticism of the communist regimes required diverse readings from different subject areas. Thus, the Monica Lovinescu and Virgil Ierunca Collection in Oradea testifies to the interest of its creators in subjects relating more or less to cultural opposition in the fields of literature, philosophy, sociology, history, art, and religion.