alternativni oblici obrazovanja
alternativni životni stilovi i otpor u svakodnevnici
avangarda, neoavangarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
etnički pokreti
feministički pokret
film filozofski/teoretski pokreti glazba
iseljeništvo/egzil
kazalište i izvedbene umjetnosti
književnost i književna kritika kritička znanost
lijepe umjetnosti
manjinski pokreti
mirovni pokreti nacionalni pokreti narodna kultura
nezavisno novinarstvo
omladinska kultura partijski disidenti
pokreti za ljudska prava
popularna kultura
preživjele žrtve progona autoritarnih/totalitarnih režima
prizivatelji savjesti
samizdat i tamizdat
studentski pokreti umjetnosti novih medija underground kultura
vizualne umjetnosti
vjerski aktivizam zaštita okoliša
znanstvena kritika
crteži i karikature
film
fotografije
glasovne snimke
glazbene snimke
grafike memorabilije
namještaj
odjeća ostala umjetnička djela
ostalo
pravna i/ili financijska dokumentacija predmeti primijenjene umjetnosti publikacije rukopisi
rukotvorine siva literatura
skulpture
slike tehnička oprema video snimke
The lay Catholic Association Opus Bonum was founded in 1972 as a community of people caring for the preservation of the values of Czech and Slovak Christian culture. Since 1978, it has been holding symposiums in Bavarian Franken, which grew into unique discussions of various streams of Czechoslovak exile. Opus bonum also engaged in charity activities, organized concerts, exhibitions, literary evenings and published publications that spread through Czechoslovakia. Through its activities, it has always tried to help the anti-communist opposition in Czechoslovakia. After 1989, the documentation centre focused on supporting research on the history of domestic spiritual resistance, opposition movements and civic initiatives, as well as on the history of Czech and Slovak democratic exile.
The Oral History Collection at CNSAS is a unique collection of this kind as it includes only interviews with individuals who are the subjects of personal files in the CNSAS Archives, and who after studying these personal files created by the Securitate agreed to narrate their own experience of entanglement with the secret police. The interviewees include not only individuals who were under surveillance and thus victims of the Securitate, but also individuals who collaborated with the secret police to provide information on others: family, friends, and colleagues. Both types of interviews represent the response of the interviewees to the narrative created about them by the Securitate.