alternativni oblici obrazovanja
alternativni životni stilovi i otpor u svakodnevnici
avangarda, neoavangarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
etnički pokreti
feministički pokret
film filozofski/teoretski pokreti glazba
iseljeništvo/egzil
kazalište i izvedbene umjetnosti
književnost i književna kritika kritička znanost
lijepe umjetnosti
manjinski pokreti
mirovni pokreti nacionalni pokreti narodna kultura
nezavisno novinarstvo
omladinska kultura partijski disidenti
pokreti za ljudska prava
popularna kultura
preživjele žrtve progona autoritarnih/totalitarnih režima
prizivatelji savjesti
samizdat i tamizdat
studentski pokreti umjetnosti novih medija underground kultura
vizualne umjetnosti
vjerski aktivizam zaštita okoliša
znanstvena kritika
crteži i karikature
film
fotografije
glasovne snimke
glazbene snimke
grafike memorabilije
namještaj
odjeća ostala umjetnička djela
ostalo
pravna i/ili financijska dokumentacija predmeti primijenjene umjetnosti publikacije rukopisi
rukotvorine siva literatura
skulpture
slike tehnička oprema video snimke
The collection was started with the need to preserve and promote the legacy of Polish journalists and photographers who documented the social, cultural and political reality in socialist times. The members of the Association "The Road" want to show the everyday life of peasants, workers and intelligentsia in Poland on the photographs which sometimes were not shown or published due to press censorship (official censorship or self-control of the editors who decided not to publish certain materials).
U zbirci „Ideološka komisija CK SKH 1956. – 1965.“ kroz brojne su dokumente razvidna stajališta CK SKH-a prema ideološki nepoćudnim pojavama u kulturnom stvaralaštvu (umjetnosti, književnosti, filmu), medijima (tisku, radiju i televiziji) te prosvjeti i znanosti u Hrvatskoj. Ta je komisija imala zadatak praćenja, analize i usmjeravanja sveukupnog djelovanja u navedenim područjima, davala je direktive te postavljala svoje kadrove u svim važnim ustanovama i organizacijama. Na taj je način djelovala i prema ideološkim strujanjima koja nisu bila u skladu sa zadanim smjerom te postala odlučujućim faktorom u kulturnoj politici u Hrvatskoj.
The Dan Petrescu and Thérèse Culianu-Petrescu collection includes representative Western books that offer critical analyses of the communist regimes in the Soviet Union and Eastern Europe, brought semi-clandestinely into Romania and used as alternative sources of intellectual formation. An example of moral resilience in the face of communist dictatorship, this collection illustrates the cultural nonconformism of an informal grouping of young intellectuals known as the Iaşi Group, out of which, at the end of the 1980s, in a period of profound despair, the critical discourse, lucid and courageous, of Dan Petrescu made an impression through the intermediary of the Western mass-media. The story of dissidence in Iaşi, in particular that of Dan Petrescu, was until 1989 that of a confrontation between the truth of critical intellectuals and the lies of dictatorship. The dichotomous story of dissidence during communism turned after the opening of the files of the former Securitate into confrontation between each of the protagonists with the collective past of the group. Preferring marginality to stardom, Dan Petrescu and Thérèse Culianu-Petrescu are among the few heroes who did not lose this status even after the files of the secret police brought to light betrayals and complicities hitherto suspected but unproven.