COURAGE

povezivanje zbirki

Zbirka SKD “Prosvjeta” prezentira ulogu najjačeg kulturno-prosvjetnog društva Srba u Hrvatskoj.  Društvo je osim afirmaciji srpske kulture i tradicije težilo i političkom jačanju srpskog naroda u SRH. Zbog toga je njegovo djelovanje okarakterizirano protivnom režimu, društvo je najprije marginalizirano te je potom i ukinuto.

The Oral History Collection of the Sighet Memorial contains several thousand testimonies of great relevance for what the Romanian communist regime meant in general and especially for the prison experience of thousands of former political detainees. The distinctiveness of this oral history collection is strictly connected to the recovery and systematic conservation of the memory of those who went through significant traumatic experiences during the communist regime, with the aim of saving from oblivion that part of history which was officially suppressed until 1989, but which emerged spontaneously to the surface immediately after the change of regime.

The Sirje Kiin private archive was formed as the result of the professional and creative activities of the journalist, literary scholar and critic Sirje Kiin (b. 1949). It includes material from the early 1960s to the early 2000s. Its most valuable parts are the very extensive correspondence with many cultural figures of the day, and diaries in which, among other things, the cultural and political climate of the 'hot' autumn of 1980 is described. Starting with protests by youth against the russification policies, and the suppression of these protests by the security forces, it led to the writing of a famous letter by 40 intellectuals, an open letter from Soviet Estonian cultural figures protesting against the increasing russification.

The “Sixtiers Museum” Collection is located in a small museum in Kyiv, Ukraine in a building belonging to the Ukrainian political party Rukh. Nadia Svitlychna and Mykola Plakhotniuk founded this museum as way of honouring and documenting the struggles of a cohort of Soviet Ukrainian dissidents during the 1960s-1980s. Included in the permanent exhibition are paintings, graphics, sculptures, embroidery and other artworks produced by artists affiliated with the sixtiers movement. The museum also displays the poems, letters and literary works of the writers in their midst, as well as their typewriters, handcrafted items made while in the GULag, or clothes worn while living in exile, like Svitlychna’s own camp uniform. Also figuring prominently are posters for events and exhibitions organized by this group. The guided tour is a moving, concise rendition of their struggle, aimed at the museum’s target audiences, young students, scholars, and the general public.

These materials depict the lives of a dynamic group of Soviet Ukrainians engaged in a principled creative and ideological struggle with the Soviet regime in the 1960s and 1970s. They were poets, artists, graphic designers, historians, doctors, and even a Soviet army official, all of whom became deeply involved in human rights activism under late socialism. Many were members of large Soviet institutions—like the Ukrainian writers and artist unions, the Literary Institute in Kyiv, the Soviet armed forces. The Soviet government’s ideological retrenchment after Khrushchev transformed these dissidents, who had worked hard to try and reform the system and make it more humane, into individuals in open conflict with the authorities.