alternativni oblici obrazovanja
alternativni životni stilovi i otpor u svakodnevnici
avangarda, neoavangarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
etnički pokreti
feministički pokret
film filozofski/teoretski pokreti glazba
iseljeništvo/egzil
kazalište i izvedbene umjetnosti
književnost i književna kritika kritička znanost
lijepe umjetnosti
manjinski pokreti
mirovni pokreti nacionalni pokreti narodna kultura
nezavisno novinarstvo
omladinska kultura partijski disidenti
pokreti za ljudska prava
popularna kultura
preživjele žrtve progona autoritarnih/totalitarnih režima
prizivatelji savjesti
samizdat i tamizdat
studentski pokreti umjetnosti novih medija underground kultura
vizualne umjetnosti
vjerski aktivizam zaštita okoliša
znanstvena kritika
crteži i karikature
film
fotografije
glasovne snimke
glazbene snimke
grafike memorabilije
namještaj
odjeća ostala umjetnička djela
ostalo
pravna i/ili financijska dokumentacija predmeti primijenjene umjetnosti publikacije rukopisi
rukotvorine siva literatura
skulpture
slike tehnička oprema video snimke
In 1969, Reverend Canon Dr. Michael Bourdeaux, along with political scientist Peter Reddaway, diplomat and writer Sir John Lawrence and Soviet historian Leonard Schapiro, set up the Center for the Study of Religion and Communism, later known as Keston College and Keston Institute. It soon grew into a widely known British human rights organization and a resource center, unique in a way, as its field of expertise focused on church-state relations and persecutions of religious believers behind the Iron Curtain. From its foundation, the creation and development of an archive of documentation was a primary aim for Keston. Today, the Keston Archive and Library remains a unique collection of primary-source material on religious life and religious persecutions in socialist countries, containing, among other things, the world’s most extensive collection of religious samizdat. The Keston collection fills an important gap between state historical records and official church histories, giving voices to ordinary believers in their everyday struggle to freely express their faith.
The private collection of musician, DJ, radio journalist, and educator Attila Koszits is the primary source on rock and underground (especially New Wave) culture of the last half century in Pécs, a city in southern Hungary. The collection contains periodicals, photo documentation, literature of music, bootleg recordings, and music recorded on discs and cassette tapes.