alternativni oblici obrazovanja
alternativni životni stilovi i otpor u svakodnevnici
avangarda, neoavangarda
cenzura
demokratska opozicija društveni pokreti državni nadzor
etnički pokreti
feministički pokret
film filozofski/teoretski pokreti glazba
iseljeništvo/egzil
kazalište i izvedbene umjetnosti
književnost i književna kritika kritička znanost
lijepe umjetnosti
manjinski pokreti
mirovni pokreti nacionalni pokreti narodna kultura
nezavisno novinarstvo
omladinska kultura partijski disidenti
pokreti za ljudska prava
popularna kultura
preživjele žrtve progona autoritarnih/totalitarnih režima
prizivatelji savjesti
samizdat i tamizdat
studentski pokreti umjetnosti novih medija underground kultura
vizualne umjetnosti
vjerski aktivizam zaštita okoliša
znanstvena kritika
crteži i karikature
film
fotografije
glasovne snimke
glazbene snimke
grafike memorabilije
namještaj
odjeća ostala umjetnička djela
ostalo
pravna i/ili financijska dokumentacija predmeti primijenjene umjetnosti publikacije rukopisi
rukotvorine siva literatura
skulpture
slike tehnička oprema video snimke
The Nelu Stratone collection is one of the most impressive collections of rock, jazz, and folk records created in communist Romania, as a result of the happy combination between its owner’s exceptional passion for alternative music and his ability to acquire records that were not imported officially. The collection is important not only for its size, but even more for the significant number of albums of Western provenance, which were unavailable in shops in Romania but could nevertheless be obtained due to the existence of an alternative market for such products. The creation and preservation of such a collection were activities regarded with suspicion by the communist authorities in Romania, because they proved the younger generation’s fascination with Western cultural products, in contravention of the spirit of Nicolae Ceauşescu’s Theses of July 1971.
Zbirka No Art dio je Anti-muzeja Vladimira Dodiga Trokuta. Čine je reprezentativni avangardistički i post-avangardistički artefakti. Zbirka Anti-muzej nastaje višegodišnjim djelovanjem Trokuta kao pripadnika neformalne kulturne opozicije u kojoj su aktivno sudjelovali istaknuti pojedinci i akteri javnog života poput Koče Popovića i Jure Kaštelana.
Ferenc Bodor’s Nomad Dossiers is a collection representing a unique component of cultural opposition in Eastern Europe: materials related to ethno-folk revival and its Hungarian manifestation, the so-called “dance-house movement”. This collection also contains material regarding the Studio of Young Folk Artists, which was formed in the 1970s. Communist authorities considered the movement to be suspicious. They feared that it might increase nationalism among young people and, furthermore, that it might generate a powerful rival to the official youth organization.